

Eventually, she realized that she wanted to create and sing her own songs. It took Everett a while to figure out her voice as an artist when she started performing 15 years ago, she just sang songs and acted wild. "Every time I sing it, I go around the audience singing about what kind of titties I think they have, and it's so much fun. "It's a celebration for both women and men, for different body types," she said. "So I'm out there with my backup band member Adam Horovitz, and I'm telling him about a song I'm thinking of, singing, 'You've got those little nippy titties, put 'em up.' I said to him, 'I think it's ridiculous,' and he says, 'I think it sounds like a hit.' I was in a place where I needed someone to give me permission to embrace the ridiculous shit in my brain, and he encouraged it."Įverett remembered how her brother used to refer to their mother's breasts as "beavertail titties." After her mom got breast cancer, the song became a tribute to her. "Murray and I and some other performers play ball in McCarren Park with this group called Catch Club it's just a way for us to chill out and talk showbiz while we play," said Everett. Everett explained the genesis of the song. The ditty is a celebratory ode to the varied sizes and shapes of the female appendages. Her larger-than-life, outrageous and shocking stage persona is what initially grabs her audience, but the core of her act is the voice.Ĭritics have often compared Everett's voice to Janis Joplin and Bette Midler, both of whom she counts among her influences along with Freddy Mercury, Michael Jackson, Prince, Debbie Harry, Steve Perry from Journey, and the late opera diva Maria Callas.ĮDGE recently caught her singing "Titties" at a show hosted by "the hardest working man in showbiz," drag king Murray Hill. Her strategy has been just to keep doing what she loves and it will all work itself out.

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She admits that as a big girl singing at clubs and performing offbeat comedy acts at comedy festivals, some people are unsure of how to peg her. I consider my audience to be more of a cult following," said Everett in a recent interview with EDGE. "Honestly, the feedback has been pretty positive as far as being a big girl who is sort of sexually aggressive, but I've also been underground for a long time. So far, this tactic has earned her a loyal audience made up of hip downtowners and A-list celebrities, a new album, steady gigs at Joe's Pub, a recent performance at Carnegie Hall with no less than the legendary Patti LuPone, and appearances on Comedy Central's Inside Amy Schumer. Her ribald audience banter is often accompanied by spontaneous semi-nudity, alarming sexuality and songs with lyrics that could make John Waters blush.

Her canon of original songs includes numerous tunes about body parts, with titles like "Titties," "Canhole" and "What I Gotta Do (To Get This Dick In My Mouth?)." She is the epitome of the kind of girl your mother warned you to stay away from, and the gays can't seem to get enough of her.Īlt-cabaret sensation Bridget Everett has the body of a Rubens nude, the voice of an angel singing the blues and the mouth of a merchant marine. In her act, she's been known to grope her female audience members and motorboat the men while swigging, spilling and spitting chardonnay. She's loud, brash, crude and often foul-mouthed.
