Currently, Andrews continues to work there on 16 more. They are: the Twelve Apostles on ribs supporting the dome, each 27 feet tall and 16 feet wide other smaller ones 8 by 18 feet on 12 walls and pillars up to 50 feet high covered with 28 mosaics - five by eight feet in size. Today, Holy Trinity of San Francisco features 60 mosaics completed by Andrews. He wrote to Andrews: "We were very pleased with your mosaic of the Resurrection, which is your design and creation, and which is one of the finest examples of art we have seen in any of our Churches in the Western Hemisphere." In 1972, Archbishop Iakovos viewed the new Resurrection icon at Holy Trinity Church in San Francisco, California - a 16 by 50 foot mosaic located in the apse. His inspired mosaics are monuments of Orthodox faith across the land. We call them Byzantine icons and in America the master is Robert Andrews. People visiting from Korea, France, Colombia - he keeps a list.The soul, the eye, the mind's vision, and an Orthodox heart create an icon's window to eternity.
Groups of graduates, a just-engaged couple, and tourists looking for souvenirs from the city. “But then when I gave them the drawing, they went, ‘AThroughout his nearly five years of street sketches, he has drawn people of all ages. Another time, a couple bickered the entire time Shea drew. He estimates his number of dollar sketches is “in the thousands.”Īnd the thousands have proven themselves to be an eclectic cast of characters: “I had one guy, he was just going off, and I’m pretty sure he confessed to a murder,” said Shea. Shea, too, has a lofty goal: He wants to draw a million people, a mission complicated by the fact that he hasn’t kept count. Shea was partly inspired by the fast-paced street art of the late Jason Polan, who set out on a quest to sketch every person in New York. “That’s why I like having a conversation with them - it’s like, ‘Oh, I see how you are.’” “I capture the essence of people more than the details,” he said. He’s careful to say that his pieces are not caricatures he wants to represent features faithfully, not exaggerate them. “Then there’s people who are going to walk by, and it’s going to mean the world to them.” In some cases, “people are going to walk right by you and act like you don’t exist,” said Shea, who managed three drawings Monday before an afternoon drizzle dried up business. “I’ve still got your drawing.”Īrtist Nick Shea, 25, doodles or writes in a sketchpad while he waits for somebody to stop for a $1 drawing on Boston Common. “I’m glad you’re still out here, my friend,” he said. On Monday, even people who didn’t stop did double-takes. “They’re signing up for it.”Īt his feet, a hand-drawn sign made from an inverted Sal’s Pizza box advertises “$1 Drawing of You!” Most drawings take a few minutes or less to complete. “I’m people-watching, but they know about it,” he said. He said he “learned to draw on the train,” sketching unaware commuters on the T, but he likes that his subjects are in on it now. Shea, who lives in Dorchester and grew up in East Boston, is a lifelong artist. These days, he sets up at one Boston Common bench, near the gazebo and an off-leash dog area. Since last May, Shea said, the street sketches have been his main source of income.
“It’s more about the conversation than the drawing.” “I’ve always loved to talk to people, talking to strangers,” he said.
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He paused, then added: “It’s taught me how to just listen.”Īrmed with a stack of index cards and a Sharpie, Shea has made $1 drawings on and off since 2017, as a way to meet new people.
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